home invasions at Heartwood

February 11, 2016

I had what was apparently a home invasion in my room today. A little person in a wheelchair opened  my door, wheeled herself in , and began opening the drawers oF my dEsk. She seemed impervious to my words, asking her to leave, and said not one word, regardless oF my requests for her to leave. No matter what I said, all was disregardEd, her expression unchanged, the movements . She took a remote for my Tv. which was dropped on the floor and conttinued her foraging.

Heretofor, I have had many visits, most of which having been made in my absence, the lateest being a backstratcher, a cute gift ftom my wife. If there is a pack of cookies,it is almost always takEn, the wrapper just left . When first being told thst Heartwoo is my home a I had alarge collecton of Watches, not worth anything,, simply a matter of acquisition over a long period of time, an obbsession over a lon© period of time . Then, the best of these went missing, and I had the collection taken ro my home, my real home.

Heartwood is not.


The demon caller

February 5, 2016

Each morning, for as long as ican remember, at exactly 4:30 AM, my phone rings exactly once, and only once. And, Idont have any idea who is the caller. Now, can it be someone whom I know? Or, someone who is unknown? Is it to remind me of something which has left my memory? I have always prided my self concerning memory.

But as these calls continue, always at 4:30 AM.and only once, doubts are beginning to multiply. Natrully, it could be anyone. About anything, and I dont have Åny clue.

Or, can it be some indication of actual old age? This is disturbing. I am living in a place where screams can be heard at any time, without warning, where this is much dimentia present, coming virtually all day and night, with no warning of any kind.

What does one do? Tell a support worker? I dont think so. That would draw attention to no one else but me. And somehow, that is troubling. Anyway, I feel the need of a coffee, If you are actually out there, ring more than once. If so, I may answer the ring, but now, I am not so sure.

sherman at Heartwood.


Double lip embouchure

January 24, 2016

Hello Professor Friedland,

I played the clarinet 43 years ago and just recently started studying it again. I’m trying the double-lip embouchure. It works great until I get to F on the staff. It’s here where I have problems balancing the clarinet. When I use my upper teeth I have no problem. I just can’t figure out to balance the clarinet staff and higher notes. Thank you, Marty

Dear Marty, Double lip embouchure is actually preferred by many as a way of holding the mouthpiece between your lips, instead of the teeth. It makes for more sensitivity to the sound, actually making a better sound more easily controlled and almost always preferable to any other wayc of  playing the clarinet. When first playing the f on the staff, there is no way of controlling because you are holding the instrument with only one finger, Many players simply place their left index finger above the a key, holding the instrument without using the key which will give you the control you need , momentarily. As soon as this becomes somewhat habitual, you will develop the control to hold the instrument while you are negotiating this problem..The same problem occurs when you play high c., and solved by the same method.

Good luck, and practice,sf


The Leblanc Dynamic, Pete Fountain model

December 31, 2015

Dear Sir:

the clarinet of which you speak is simply the Pete Fountain model Leblanc, and it was and is an excellent instrument,Over a long time and trying many clarinets, all of the Leblancs I have ever played are really good insruments. The very best Leblanc was and is the Opus, designed by Tom Ridenour, when he was chief designer for Leblanc, and there were others. the Sonata, and the Conceto. Better in tune, excellent sounding and buit very correctly and well.
On 27-Dec-15, at 5:52 PM, Ríordan James Flynn wrote:

Hi there,

 

I have a Leblanc Dynamic H clarinet with the unusually articulated G# key and and a Pete Fountain signature on the bell. According to the internet, the serial numbers for this model start at 268xx, but mine is 23771. These models were made sometime in the 50s?

It was given to me with the idea that it once belonged to Pete Fountain, but I imagine this is apocryphal. The clarinet came to me by a man named John Hayslip, who it was given to by a man named Tater Danke. Hayslip swore that Danke had gotten the instrument from Fountain, but there’s no telling, as he passed away some years ago.

However, a quirk of this instrument is that its larger pads were signed by someone named Bob Mario. To my knowledge most people don’t sign clarinet pads!

I’m not interested in selling the instrument, but I’m very curious as to what you might know about it.

Thank you in advance for your time.

All the best,
-MF


Resonance in Denver

December 29, 2015

†his is a true story for my son, who learned to play the Diesel game from an idiot in the family.

During the 80s, if you are or were of that time, distances across mountain areas covered with ice and snow and a scary place called Wolf Creek Pass, 10 thousand feet high covered with snow and ice, iy semed inconsequential, a long hilly drive, a few hours from where we lved in Durango, Colorado. What it was, was an eight hour scary drive. When your 82, you dont even think about it. It lies in a white snowdrift of the past, way past reason.

30 or 40 years ago, it seemed like nothing. And there was a Diesel in Denver that  could be available to me.
A diesel, the first one was an exciting thought. The idea of a car that ran on fuel that would not light if you threw a match in it, was both cmforting to a family man, seemingly much safer than driving on gasoline, and much more economical.
The only problem which could happen was getting water mixed in with the fuel, or very frigid temperatures during whic time the fuel could suffer and cause the same problem.
Water and Diesel dont go together. I remember reading that Rudolf Diesel, maybe thats his name) drowned from jumpimg into the oceanDiesel and water, or Diesel in water, dont do well..

more than anything, the thought ws of a different kinf of car, something really rare, and it was a Fench car, from a place where I had studied and played music Peugeot was its name.
Driving arounf western colorado in that thing was euphoric, at least in thought.

I GOT TO THE DEALERSHIP BEFORE THEY CLOSED< AND WAS BACK ON THE ROAD IN MY NEW peugeot in an hour, driving quickly though the manual transmission, tough noticing almost constatt vibration through the entire vehicle. Noisy as well. The only saving grace was the diminishing noiseas zI went faster.
I got about halfway to Durango when Isimply changed my mind. It became a rattly noidy clttery drive.

So, being nuts, I changed my mind, turned back to Denver, found the shop still open and tried to return the thing.I was confronted with a large person of indeterminute background . He simply called the vibration something else, He called it resonance, pronounced nicely , with command. It sound much nicer, more gentle and correct, than vibration.

So, convinced, i drove the resonant pile of vibration back to Durango, al in the same night, and had achieve my fist Diesel.
Besdes being resonant, one cannot have a flat tire fixed because there is nor gas station having the tools thatfir the rim/

an one more thing, there were only one station that sold diesedl fuel with a filler that would fit into the small gas tsnk of my car.

But things have improved, or at least changed. Diesel was about 37 cents a gallon at the thime. The folks in Detroit grabbed that dog like a bone and made the fuel more expensive than ordinary gasoline. Diesel fuel is now more expensive that gasoline.

So, with Diesek, oneis driving something different, and on a highway in the West one might not find a deisel station for many miles.

Combined, my son and I HAVE OWENED PERHAPS 30 OF THISE DIESELS. IT IS A DISEASE.

SHERMAN FRIEDLAND.

 


Heartwood Heroines

December 1, 2015

 

For the past month we have had rebovations, a new floor had to be installed on the second floor. While the renivations went on for seven days, about a dozen or so residents were moved to the basement. All the needs of some 15 residents were taken care of there, in the basement. Somehow, we all got through it,but we had help fromtwo Heartwood Heroines.

They are Crystal and Angela,Every morning , early morning, Crystal would bring coffee for Everyone and cold fresh water. This transpired before the sun came up, and the coffee stayed until it was all used. Not part of her work. She took it upon herself, and it brought comfort. But sh was always Extra available, and it was a great pleasure to see her, Each and every morning.

She has the gift of satifaction taken fron helping others. Angeka knows and does everything, quickly and efficiently, and one can always tell when she is on the scene as she possess a srong and carrying voice. When I first entered, it seemed cold all the time, My feet, and all the rest seemed frozen . When we met, she took two heated blankets and wrapped me from head to toe in them. Surprised, but amused and heated, I was delighted to be warm and to meet this lovely and enduring two heroes of Heartwood


THE REAL STORY OF THE SELMER 10G CLARINET

November 16, 2015

G clarinet.

This is really a historic tale.  sixty to 80 years ago there was an almost fierce competition beween Selmer and Buffet

Most clarinetists playing in symphony orchestras in the US played the Buffet clarinet, almost specifically the R13 model.

Gigliotti, principal in Philadelphia played the Buffet as did all others playing in virtually all US orchestras. This was when I first began to learn to play, and of course, what I wound up with was the Selmer. Why?

Because , living in Boston, where all the setion played Selmer, this was my sspration, tp play Selmer, which I finally did, after much searching.

But, as a young man, I knew of the Buffet and its use in most other US orchestras.

Of course, this has all changed now, starting with the arrival of the Selmer 10G, refering to Gigliotti in Philadelphia. Selmer, it is said, actually produced a Buffet copy, or one that was fairly close in response, to his Buffet.

The production at first, quite successful, and some played and responded very well. Others did not. I had two sets of these and frankly, didnt play well well enough to discrn the difference. At that time, we all played in university=conservatory orchestras, and frankly, unless hearing the horn played in an orchestra, a professional ensemble, your guess was as good as mine.

What has transpired since the has or have been vast improvements in all instruments, prices rising accordingly until now and including all manufacturers all clarinets have improvd exponentially , and many different orchestral players perform on both or wither of the different bore, producing a more mellow sound with better resonance. Comparison, these days is simply a matter of ones opinion, and it is all of that, nothing more.

Of course, mouthpieces and reeds have also changed exponentially, and of course, reeds made of artifical material, not cane, but a mixture of cane and plastics of all kinds. Literally everything has changed, especially all materials, wooden instruments are still favored, but many are made fromhard rubber, whichis much easier to,machine nd finshe and stands the rigors of tempeature changes much better than wood. What mouthpiece doyou play? Instrument, and reeds ae the question. Everyone learns to play very well, but the diminished number of professional orchestras are all mitigating factors. that is the whole story of SELMER AND BUFFET

 

sherman friedland


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