Professor Friedland, I would like to communicate with you regarding the subject of the effect of the oral cavity in clarinet tone production . Your opinions as a clarinetist would be very much appreciated I communicated with you (only) once when I learned you were a colleague of ALLEN SIGEL, my teacher when I was an undergraduate at the then University of Buffalo, I hope this reaches you and I look forward to your reply.As for me it would be an exceptional pleasure to communicate with you re the subject above. Michel G. Mulawka PS; I trust the following will bring back a memory. I came across a picture of you and others performing (?) the Gyorgy Ligeti Poeme Symphonique for 100 Metronomes @ the Albright Knox Art Gallery in 1965. I attended a second ‘performance’ (?) of same @ Albright – to this day ‘no comment’! save for/
Professor Friedland,
I would like to communicate with you regarding the subject of the effect of the oral cavity in clarinet tone production
.
Your opinions as a clarinetist would be very much appreciated
I communicated with you (only) once when I learned you were a colleague of ALLEN SIGEL, my teacher when I was an undergraduate at the then University of Buffalo,
I hope this reaches you and I look forward to your reply.As for me it would be an exceptional pleasure to communicate with you re the subject above.
Michel G. Mulawka
PS; I trust the following will bring back a memory.
I came across a picture of you and others performing (?) the Gyorgy Ligeti Poeme Symphonique for 100 Metronomes @ the Albright Knox Art Gallery in 1965.
I attended a second ‘performance’ (?) of same @ Albright – to this day ‘no comment’! save for/
Hello mr mulawka,\
easy answer, the cavity you mention has virturtually no effect.
The response is diRECTLY THROUGH YOUR EARS ONLY. filtered through your perception of sound, directly connected to the functionality 0f your embouchure, you actually control the effect through all of your development.
The sound as we say, is in your head.
cordially, ]
sherman friedland
voyance
he effect of the sound in you oral cavtii y | Sherman Friedland’s Clarinet Corner